8.03.2009

Excess at its finest

Au Pied de, a temple to all things fatty and artery hardening, a cardiac surgeon’s worst nightmare. It draws foodies and gluttons from afar, after all, it has drawn me from my home base in Toronto. There’s a lineup of anxious diners waiting to be seated and the restaurant is packed so full there’s barely elbowroom; surely a good sign of the meal to come.

Chef and Owner of PDC, Martin Picard, is a lover of decadent foods and excess. He has a special penchant for Foie Gras, the engorged fatty liver of a duck. This wonderfully delicious fare is likely one of the deadliest and fattiest foods ever grace the face of this planet. However, Foie Gras is not without criticism.

In the past years Foie and its relatively niche industry has been under attack for its believed cruelties to ducks and geese. Restaurants have removed it from their menu, nations have banned production and even the great food city of Chicago was once forbidden from selling this delectable treat.

Fortunately for me, both Martin and Quebec have no qualms about Foie. PDC is a haven for Foie Gras feigns and their menu is plagued with it. This is exactly what I came to the restaurant for, to overindulge on Foie Gras.

Upon entry, there is nothing visually stunning about the restaurant. An open kitchen with a bar flanks the left side of the restaurant and a mirrored wall on the right only makes the space look slightly larger. The tables and their chairs are simple wood and the dinnerware is well used and scuffed. The restaurant’s staff, both servers and cooks, are wearing t-shirts, denim and runners. There’s every bit a sense here that PDC could be a pre-packaged utility restaurant.

In the restaurant, there’s a sense of chaos in the air. Servers squeeze between narrow tables, dodge standing customers and even push past their own comrades. Everything appears rushed and forced; the ballet of fine dinning has definitely left this restaurant. But perhaps it’s a controlled chaos to them. There’s a buzz in the restaurant and it’s quite loud due to the capacity crowd, open kitchen and jousting servers.

Some believe that this is Martin giving the finger to the world of fine dinning. He is unequivocally proving that good food can come without the packaged pompousness, pretention, primping or polishing.

Before I can even begin to describe the actual food we ordered I have to be clear on the disappointment of the bread. Served in a stainless steel mixing bowl, thick cuts of bread were complemented with a matching miniature stainless steel ramekin of butter. The bread was fine, but the butter, something so simple and neigh impossible to get wrong, was frozen solid. I understand that I was going to consume a frightening amount of calories and fat but I didn’t need the exercise trying to wrestle this non-threatening dairy product. Struggling to scrape off shavings of butter and nearly bending my only knife I admit defeat. Thwarted, I resort to eating the bread without it. I’m not impressed but I’m still hopeful that things would soon change.

The meal begins with the foie gras cromesquis ($4). The cromesquis is a cube of Foie Gras Terrine breaded and deep fried. It eats like savory Truffle, filled with a warm liquid Foie Gras center that explodes in your mouth. It’s an ethereal experience and a near perfect amuse bouche. The dish is only tarnished by the fact that it was served on a very obviously chipped plate.

A very generous helping of foie gras terrine came next ($25). Rich, creamy and unctuous it was spread onto thick cut toast points and accompanied with apricot jelly. Nothing fabulous about the toast or jelly, the terrine was clearly the star. Spreading it like butter, I dreamt of substituting other foods in lieu of the toast. Scones, bagels, and muffins oh my! How life could be improved, and vastly shortened, with a little daily dose of foie gras.

Following the terrine came our seafood course, the Tempura Soft Shell Crab ($20). Oh goody! A deep fried seafood palette cleaner to break up this expedition of Foie. Although typical, the crab is excellently paired with a strongly Vietnamese influenced vinegar dipping sauce.

PDC’s iconic Duck in a Can ($36), a dish born of either genius or sheer madness, is something to behold. Margret duck breast, Foie Gras, and Sauce cooked in a can and served table side. Looking at the can I can only think of L’Tour d’Argent’s Pressed Duck meeting Dr. Frankenstein in the guise of Martin Picard. While a fascinating and ingenious idea, it sorely lacks in execution. The duck is overcooked, dry and tough and the normally luxurious fatty skin was entirely inedible. The redeeming qualities of this dish come from the wonderfully rich sauce, mashed potatoes and toast. Although, only likely due to copious amounts of butter, duck fat and foie gras.

The foie gras poutine ($23) arrives and we hope it’ll be a pleasant recovery from the canned duck. French fries cooked in duck fat, cheese curds, foie gras poutine sauce and a slice of seared foie gras. Obscene is the only word that comes to mind. I’m aware that I could find this nearly exact dish closer to home (Bier Market, Café du Lac) but there’s something more justified about eating it here in Montreal, at PDC. The only fault I find is over seasoning, easily remedied by consuming more wine. The foie gras poutine sauce, like almost everything else, is treacherously rich; we mop up any left over with some bread.

Our server returns to our table, looking impressed that we’ve consumed everything, he grins and offers us dessert. Hunched over, breathing heavily and looking up to him I can only think, “He’s trying to kill me and I can’t run.” I concede to the meal and as politely as possible I say for no more. Our server smiles, pleased by the idea of our gluttony and suffering and retreats back into the crowded room.

I glance around the room and see other diners joining me in my gluttonous state. Many have a glazed look in their eyes. Others are still slowly chewing away not wanting to be trounced by a plate of food. To my right, an even sadder scene occurs, I see fear in a man’s eyes as he realizes he’s only consumed half his order of the PDC Pork Chop; a chop so large it would give Fred Flintstone a run for his money. In my field of view, the common factor among everyone is how pleased and tranquil everyone appears.

This is what those who come to dine at Au Pied de Cochon come for, the sheer madness of excess and gluttony. PDC should be on the list of every foodie’s list of places to eat. The service and ambiance isn’t noteworthy but the food and sheer madness of it is enough to warrant a trip. Luckily for us Toronto-ians, Montreal is only a short drive away.

Au Pied de Cochon

Address: 536 Duluth St. Montreal QC – 514 281 1114
Three Stars out of Four
Chef: Martin Picard
Hours: Tuesday to Sunday 5:00 PM to Midnight
Reservations: Yes, absolutely necessary but they do accept walk-ins
Wheelchair Access: Accessible
Washrooms: Clean and bright with deep sinks. Outfitted with a television to watch the kitchen
Price Range: Dinner for two with wine $150

This was a review I wrote for a school assignment.

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5.19.2009

Technique, Talent and Luck

A group of my close friends are artists; I've been friends with them for years and we will likely remain friends for the years to come. Even though they're artists and practitioners of a different craft we still have much in common to talk about.

My friend German, who's devotion to art rivals my devotion to cooking, is one who I sometimes have the best conversations with. We often talk about technique, skill, the learning process and
more. Even thought our tools, mediums, and skill sets are vastly different we can find common ground and draw many parallels. We have a great respect and interest and for each others work.

Recently, via Twitter, German expressed his thoughts on Technique and Talent. I don't think I could adequately express the ideas in a more succinct, fundamental and fluid form.

Adequate technique provides the most opportunity for honest self-expression, not talent.

You either have talent or you don't but any one can create great works with a solid technical foundation.

Talent depends on luck for success. With the proper technique one makes their own luck

I love technique. I love talking about technique. I love discussing it with other individuals, that have the same fundamental respect for the techniques of their craft as I do for mine. I can't stress the importance of learning the fundamentals enough.

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4.19.2009

Litmus Test

Some argue that the litmus test of a good cook is to make a Classical French Omelette. The ingredients are simple and so are the results. However, moving from Point A to Point B is more complex than it lends itself to be.

The process of cooking a Classical Omelette displays competence in timing, heat control, knowledge of ingredients, and fundamental technique. All of those things from just three eggs, butter, salt and pepper and a non-stick pan. The entire cooking process takes less than a minute, 30 seconds more or less can spell disaster for both cook and omelette.

I'm not a huge fan of Omelettes but I love the process. I love technique. Anyone who knows me will hear me say that I love the fundamentals. What can be more fundamental than an egg (philosophically and practically)?

So how do I do? Am I competent?

April 2008

April 2009

I'm pretty competent it seems. And I'm getting better.

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3.06.2009

Last Meal

If I were to perish tomorrow by rapture, natural disaster, extreme violence, stupidity or otherwise this is what I would want my last meal to be. There would be no lobster, foie gras, truffle, caviar, wine or cream. Only this...

Chicken braised in Dark Soy Sauce and Ginger

...with a bowl of Jasmine Rice and a pot of Jasmine Tea to end the meal.

I never ate a lot as a kid, in fact, I ate so little that my family worried about me. I'd struggle to finish a cup of rice. And then my Grandmother would cook that dish for me. A simple dish using only three major ingredients and eaten only with white rice. I ate plates of the stuff.

This food was prepared by Grandmother who stood no taller than 5 feet, weighed no more than 100 lbs and had a pacemaker helping her loving heart.It's probably been 15 years since the last and final time she cooked this for me.

I can make it but it never tastes the same and it never will.

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3.01.2009

Natural Artistry

I often find myself asking if artistry is possibility in cooking. And then, for the second time, I watched this video:



I was nearly moved to tears.

I watched this presentation at Ferran Adrià's visit toToronto. It's from the DVD accompaniment to the Natura cookbook. Natura was authored by Albert Adrià, former Pastry Chef at elBulli (I've just heard he has left the elBulli team, a devastating blow to the restaurant).

I'm still a firm believer food is first and foremost a craft. However, it does have the ability to transcend boundaries and incite emotions. Although not an easy task, when it does happen artistry is achieved and a new level of cooking begins.

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2.26.2009

Antiquated

I was asked about what knife cuts are antiquated. German, old buddy, this one's for you.



In my humblest opinion, the two antiquated knife cuts are Tourné and the Fluting of mushroom caps. They're not common cuts in the modern kitchen as they're time consuming and difficult to do. However, they result in very elegant presentations.

Tourné: To carve vegetable into a football shape with seven equal sides (heptagon). This is accomplished often by using a specially designed paring knife with a curved blade known as a tourné knife or bird beak parer.

Fluted Mushrooms: Using a pairing knife a spiral design is carved into the caps of the mushrooms.

A lot of people will whine, moan and complain when having to do these cuts. And then there are some mad enough that they want to perfect them. Knowing that having this skill is just another part in the complete repertoire of being a cook.

What I enjoy in performing the cuts is the connection to my knife, the test of dexterity and skill, the focus required and knowing that I'm differentiating myself from thousands of others.

The above photo is my first ever attempt at the touré and my second at fluting mushrooms. I'm quite pleased but I can always be better. That said, I'm sure carrots are on sale somewhere...

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2.24.2009

David Chang - Character Approved



A great Chef with a great message.

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2.17.2009

Skill

A while back I was explaining knife cuts and techniques to a friend. He stopped me mid sentence and posed the question of, "Why are knife skills so important?" I never gave much thought about the importance of knife skill before he asked me the question. What amused me is that the answer came very naturally and I didn't have to ponder or search for it.

In the practical sense, knife skills are important because it's central to the preparation of food:
- Proper fabrication ensures little waste or produce or meat
- Precise, accurate and even knife cuts promote even and proper cooking
- Clean cuts, nice lines and delicacy give beauty to a finished product

The requirement for good knife skills permeate the cooking process from start to finish. It's an essential skill to learn and posess in order to produce good quality food.

The kitchen knife is also the tool of a cook. Skill in using the knife distinguishes the professional from the home cook, the devoted from the enthusiast. Devotion in learning the techniques and excelling in them is part of the cook identity. Although several knife cuts may be antiquated they connect the cook to a long and treasured history (again, it becomes a skill that sets them apart).

My skill with a knife is the beginning to great food.
My skill with a knife is what sets me apart and makes me different.
My skill with a knife is of fundamental importantance.

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2.14.2009

books

I reorganized my bookshelf yesterday night. I love my books.




There's only a few books I regret purchasing. Dishing with Style and Working with Plate were both rather useless and taught me nothing about plate presentation. I also have two editions of On Cooking. I had to purchase the Canadian Edition for school. I should have checked more closely when purchasing the non-Canadian edition.

You can see the books from my past life at the bottom. I don't regret owning those at all.

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2.08.2009

Tempting perfection

A follow up to previous post.


Julienne & Brunoise of Carrot

This is what it means to strive for perfection. This is what it means to have good fundamentals as a cook. This is beauty in the kitchen at its simplest and rawest form (no pun intended).



You can either can do it or you can't, there's no possibility of lying. Skills are always honest.

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2.07.2009

Salt

One of the most important skills to learn as a cook is how to taste. Taste is the sensory perception of sweet, sour, salty, bitter and umami (some would consider metallic another primary taste); these are the basic primary tastes. Flavour is the combined effect that the primary tastes and other volatile chemical compounds found in food has on sensory system. Everyone tastes something every day of their life but we seldom pay close attention to the taste and flavours being encountered.

The job of a cook is to prepare flavourful foods and to do so requires understanding of taste and flavour. Seasoning foods during the cooking process is the most fundamental technique that will have the most profound impact on the dish's final flavour. Seasoning is a fundamental technique.

The use of salt in cooking is complex even though the application of salt appears to be simple. Under seasoned foods are bland while foods that are over seasoned are unpalatable. Perfectly seasoned food brings flavours forward, awakes the palate and makes us crave for more. It is understanding these effects that salt has on foods that must be understood.

A cook must understand these effects and apply them while cooking in order to win the perfect flavour. Want a simple demonstration on the effects of salt? Eat a slice of tomato and then try one with a pinch of salt. Salt is really wonderful stuff.

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piscis

I had a menu design assignment for one of my classes at school. The assignment was to design a menu with 1 each appetizer, entree and dessert. I decided to go overkill and wrote a full on menu for a fictional restaurant.


The restaurant is named Piscis Seafood Bistro. Piscis is Latin for "A Fish" where the more popular word, Pisces, means a pair of fish. I went for a very casual menu with food that isn't fussy but has great, clean flavour profiles. What I'm really proud of is that I wrote the menu to be balanced on the kitchen so that no station will be slammed with orders. I even wrote a short wine list for the menu that matches with the food.

I'm really happy with this assignment. It allowed me to be creative and really think about food. Even though the restaurant is fictional I feel really close to it. In a weird way its become a part of me.

The beautiful design and layout is thanks to German Shible and the photographs are courtesy of Stacy Weber.

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1.28.2009

Photoshoot

I was fortunate enough to work with a great photographer, Stacy Weber. Stacy emailed my Program Coordinator asking for a culinary student to help her style food for an assignment. The Coordinator then forwarded the email to the students enrolled in Culinary Management. I emailed her back with some of my food photos and we paired up to work on a project.


The food that we shot wasn't my typical refined plating and styling but I'm very pleased. We did a seafood menu theme; something you'd eat at a harbor side restaurant.

I really enjoyed working with Stacy, the whole photo shoot was a very positive experience. What I really loved was working with someone who had that same attention to detail as I do. I believe we will be working together again in the near future.

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1.18.2009

Julienne & Brunoise

My first week of school has come and gone and I can safely say that I'm no worse for wear.

The first practical classes have been devoted largely towards familiarization of our tools and classical knife cuts. In short, we're beginning with the fundamentals. I love the fundamentals. The first knife cuts we were told to produce were a julienne and brunoise of carrot.

The classical knife cut called julienne is defined as a stick cut to the dimensions of 2 mm x 2 mm x 5 cm. The brunoise cut are cubes formed from the julienne sticks taking on dimensions of 2 mm x 2 mm x 2 mm.

There's something beautiful about these cuts and the skill it takes to produce them. There is the focus, discipline, and attention to detail that must be attended to when performing the cuts to the exact measurements specified. There's also the connection to the knife, the tool of a cook. A sharp knife helps this process immensely and there's further skill taken to keep and maintain a sharp blade.

Personally, there's the search for perfection in looking for exact uniformity in every single sliver and cube of carrot. Maybe that's what I love. That search for perfection and the knowledge that I'm creating order from a form of chaos.

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1.11.2009

Order Up, One Education!

Tomorrow is my first day of school, culinary school. It's the beginning that I've been waiting to come for nearly three years. I'm not scared, nervous or excited about the prospect of beginning school; it's simply part of the journey I've been on for some time.

This weekend I re-read the book that probably started everything for me, Michael Rulhman's The Making of a Chef. I thought it would be fitting to read about the life of a culinary student albeit at a better school hundreds of kilometres away.

The book has put me in a good frame of mind. I feel readied, my mental mis en place is checked off, I'm good to go. I want to ask questions, I want to learn, I want to experience.

Ordering, one education.
Fire, one journey.
Pick up, life.

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1.03.2009

Cook vs. Chef

"A cook and a chef are different entities. Chef is a title. A chef can be good or bad or everything in between; he or she can be a hotel chef, restaurant chef, TV chef, personal chef, or a corporate chef. Chef denotes a job. But when you are a cook that is who you are. It's your spine and soul. It suffuses all that you touch."

I've seen this quote being cited by both Michael Ruhlman and Eric Ripert. I'm not sure who said it but it's a damn good quote.


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